Get all 44 Priscilla Hernandez releases available on Bandcamp and save 25%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Radoro Daro Sławo: A Slavic Mantra, John Riley (English Traditional Ballad), A Tapestry of Spring, Everflowing Clarity, A Gentle Calling, The Itsy Bitsy Spider (Creepy Version), Om Vrish Elle, Jūrā gāju naudas gūti (Latvian Folk song), and 36 more.
Priscilla Hernandez Navarre, Spain
Ethereal gothic singer-songwriter and fantasy illustrator from Spain.
DISCOGRAPHY: Ancient Shadows
(2006)
The Underliving (2011)
Official site: yidneth.com
Support at
patreon.com/yidneth
@yidneth on ig, twitter, youtube and facebook
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supported by 5 fans who also own “Totonika Nova”
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Wisp and Sentinel - compilation for Faerieworlds
by Louisa John-Krol
supported by 4 fans who also own “Totonika Nova”
Louisa John-Krol is probably one of Australia's most prolific musicians (not to mention a true storyteller in the traditional sense of the world), and yet she deserves to be better-known. This sampler — featuring some of her best work from the Prikosnovénie era (and before then) along with tracks previously unavailable anywhere until now — is a welcome way to get acquainted. I would also recommend it to any live-streaming musicians seeking to build their folk / faerie repertoire.
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Epic, immersive songs that you disappear into, with rich layers of keys and ghostly vocal melodies conjuring a misty dreamworld.
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THEY'VEBEENCALLED
by Jep and Dep
Sydney's folk noir duo expand their sound into haunting compositions that are somewhere between beautiful and melancholy.
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Stunning electroacoustic songs where an intricate latticework of hammered dulcimer and billowy synths mirror an insect’s metamorphosis.
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Fishing In The Dark
by Aisle Knot
It’s easy to get lost inside the rippling synths and electronic textures on the latest from Aisle Knot, a feast for the ears.
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A vibrant vision of "Central Americana" from the Costa Rica-based artist, blending heartland devotionals with playful Tropicália grooves.
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